Occuclaytions: Finished!

After one year five months and 30 days I’ve finally completed my Occuclaytions project! I imagined when I started this back in May 2017 that I would finish it by December 2017. Clearly, I was wrong. Thanks to everyone who hung with me to the end. Thanks especially to those who sharpened my sword as I fought against the foe of resistance all these months.

I listened to a podcast featuring illustrator Jake Parker just before beginning Occuclaytions. In it the host asked Jake what one piece of advice he would give to amateurs hoping to make their way into the picture book industry. I kept his answer in mind as I worked through the various stages of this project.

That picture book idea that you have, that you haven’t made, I want you to go make it. I want you to make your picture book. I want you to illustrate it and not wait for somebody to come along and say they want to publish it and they want to do something with it. I just want you to make it because, number one, you’re going to learn so much through the process of making a thing…now that you’ve got that picture book done, go make another picture book.

This project didn’t necessarily turn into the story-driven picture book I had hoped it would. However, it did inch me closer toward that ultimate goal. And like Jake suggested, I learned a lot along the way.

  1. Character Design

    I usually begin a sculpture with just a vague idea of what I want it to look like. Occasionally, I’ll sketch out a simple doodle for direction, but never before this project have I spent so much time up front designing the characters. I used up almost two full sketchbooks to create Occuclaytions. This really forced me to think through each character, both as independent sculptures, and as a part of the whole. I think this helped create a level of consistency that may not have existed otherwise.

  2. Costuming/Props

    I really wanted each character’s occupation to be evident, so I used costuming and props to help identify their professions. This was a really fun challenge. It forced me to consider how fashion design can and should impact these and future characters. It also helped me think outside the box of clay. One of the things that draws me to the world of 3-dimensional illustration and stop motion animation is the use of mixed media in both arenas. Implementing some props I a) didn’t know how to pull off in polymer clay and b) didn’t want to try, allowed me to dabble a bit with found objects and fabric. The flapper’s microphone, the radio engineer’s radio, and the suffragette’s flag were some of my favorite parts of this project.

  3. Colors

    I wanted the whole set of characters to have a consistent color scheme. I also wanted that color scheme to be true to a 1920s palette. I scoured the internet for era appropriate fabric swatches, cross referenced them, chose my favorites, and then limited those favorites to a scheme of 12 colors. After selecting my colors, I created a color map with markers and line drawings and then matched my paint to it. Never before have I been so deliberate in palette choice. This stage took a lot longer than I expected and gave me a greater respect for the science of color.

4. Photos/Edits

My local library somewhat recently began offering free usage of a photo studio with professional lighting and a green screen. Considering I generally take photos with my phone, a desk lamp, and a sheet of copy paper as a backdrop, I thought I’d give this higher tech option a whirl.

This was both a blessing and a curse.

Though I own a nice camera, I don’t exactly know how to use it.

Though I know what nicely lit pictures look like, I don’t exactly know how to light them.

And though I know Photoshop is probably the best tool to edit with, I don’t exactly own it.

All that to say, I ended up spending a lot of time lighting, shooting, and editing pictures. I learned a lot in the process, and figured out a few digital editing tricks (using free editing software I found online) that I’ll build upon next time.

5. Book Design

My original plan was to write up a little blurb about each character that loosely tied them to one another. I ditched this idea about halfway through the project. Even though the story element of the picture book was no more, I still wanted to collect the characters in some kind of cohesive book form. I decided to create a sort of album after spending months looking through old photographs of people’s places of business. I paired “aged” black and white portraits with public domain images I found during my research.

I designed the cover of the book using 1920s inspired fonts and embellishments, and am using Chatbooks to print a copy for posterity. It is an easy, inexpensive service to use for one-offs, and I like the size and formatting they offer. If, in the future, I intend to do more self-publishing, it will be necessary to find a different printer, but I think this is a good option for right now.

Chatbook Title Page.png

Thanks again for following me back to the Roaring Twenties and helping me bring these characters to life! I truly appreciate any and all feedback you’ve given, or would like to give.

I’ll be mulling over what’s next, so stay tuned!

Inktober 2017

I began Inktober 2017 with the goal of inking all my drawings with a dip pen. 

I abandoned this plan on day one.

Something about the first drawing just didn't sit well with me, so I redrew it on a piece of scratch paper with a fat tipped Faber-Castell.  The bold lines of the marker grabbed my attention, so I decided to attempt the month with a Pentel Pocket Brush instead of the dip pen.*

I also struggled to decide on a topic this year, so I sought the advice of my friend, Paula (of The Laughing Goat).  She suggested I continue the theme I began on Art Drop Day (a drawing of Fiona the Hippo), but add Tajiri the Giraffe to the storyline.

Posts about Fiona, a premature hippo beating the odds, and viral videos of April, the ever expectant giraffe awaiting delivery of her baby, Tajiri, often gave me a pleasant break from the vitriol nature of the internet this year.  Paula's idea seemed like the perfect way for me to participate with Fiona and Tajiri in interrupting the bitterness so prevalent in today's social media feeds.  

I enjoyed adventuring with Fiona, Tajiri, and a brush pen(!) through Inktober, and am hopeful that my silly drawings gave a second or two of happiness to others this month!

Happy Halloween, everyone! 

*The dip pen did make one other brief appearance on day 17 (corn maze) due to an unexpected ink outage in my brush pen. 

Occuclaytions: An Introduction

I find history deeply enchanting.  While researching for my 1920s Vaudevillian character, George "Dutch" Williams, I would often get lost imagining what cities he might travel to on the circuit, what sorts of people might frequent his shows, what kinds of clothes those people might wear, where those people might work, etc.  During this time, my Pinterest boards became inundated with black and white photos, my Pandora playlists were filled with ragtime and jazz inspired tunes, and I reread The Great Gatsby for the first time since college.

Rather than discarding these hours spent immersed in early Americana, I decided to delve a bit deeper.  I've spent the last several months designing characters that might have populated Dutch's world.  Each character is, like him, an anthropomorphised animal representing a particular occupation of the era.  I'm calling the project Occuclaytions. Its underlying goal is character design, but at its heart, this project is my attempt to capture just a bit of the ephemeral exuberance that was the Roaring Twenties.

As promised, I'll be providing in-depth conception to completion progress posts here, but feel free to also follow along at Instagram and Facebook

Until next time...



A Mountain out of a Mole

I posted one of my favorite sculptures-an acrobatic mole with musical feet-a year ago this month. He was inspired, in part, by this image drawn while watching the movie The Book Thief (in which an accordion plays a significant symbolic role).  I didn’t, and still don’t, care for the drawing, but the accordion (later morphed into a concertina) reverberated in my imagination long after I shut the sketchbook.


Sometime after this, I read an article written by illustrator Joe Sutphin entitled, "A Cure for Head and Shoulders Syndrome." In it, Joe discusses budding artists’ tendency to draw characters straight on-portrait style, cutting off arms, legs, and any chance of a compelling story.  According to Joe, no matter how well rendered a character may be, head and shoulders syndrome is a malady that must be treated.

I suffer from a slightly different strain of the syndrome.  It isn’t arms and legs my sculptures sometimes lack; it’s just story.  My first attempt to alleviate this condition came when I decided to build a character around that ubiquitous squeezebox.  I took notes, consulted reference, sketched a few ideas, wrote a vignette, and then sculpted Vaudeville’s most highly celebrated mole, George “Dutch” Williams.

I’ve worked on several projects since then, but just like I couldn’t shake the inhale and exhale of the accordion from my imagination, I can’t shake the desire to create more story-driven pieces like Dutch.

It is, therefore, my goal to spend the remainder of 2017 doing just that.  I’ve begun work on a project that will, hopefully, breathe life into 16 fully developed characters.  If all goes according to plan, I will compile these creations into book form by year’s end.

I’m excited to get started, and welcome you to follow my progress via monthly blog posts and bi-weekly social media posts! 

Whim's Workshop featured on The Rabbit Room

I made the acquaintance of comic book artist, Jonny Jimison, through our mutual participation in The Rabbit Room community.  After a few online encounters, Jonny commissioned me to sculpt Martin and Marco, the 2-dimensional stars of his graphic novel series, The Dragon Lord Saga.  I worked from Jonny's detailed model sheets and read his first book multiple times to try to capture the particularities of each character.  It can be difficult to translate an image from 2-d to 3-d, but I consider it an honor that Jonny allowed me that opportunity with his creations. 

Please enjoy Jonny's comics and my sculptures on this recent post from The Rabbit Room!